Mise-en-Scene Take Two: Props and Set Design

Our film opening is really starting to take shape. Yesterday, I shared our ideas on location and framing. Today, let's dive into two more elements of mise-en-scene: props and set design. These aspects support our storyline through visual cues. They might not be the main focus, but they enrich our narrative and help us communicate with the audience in subtle ways. Since props and set design are closely linked, it makes sense to discuss them together.

Props:

We're considering several props to highlight Davis and Alessandra's friendship and their shared dream of attending the University of Miami (UM):

• UM Memorabilia: We'll include items like UM t-shirts, banners, or desk accessories to emphasize their anticipation about the admission results.

• Desks: The spaces where they check their admission statuses will feature UM brochures and perhaps a framed photo of the two friends together.

• Other Items: A calendar marked with the decision release date and sticky notes with motivational quotes will add depth to their personal spaces.

• Starbucks Cups: Since they enjoy meeting up at Starbucks, these cups will serve as a reminder of their friendship and casual hangouts.

Set Design:

Our set design aims to create realistic settings that resonate with the audience and reflect our protagonists' personalities. We'll focus on their bedrooms or desk areas, where they're connected via FaceTime while awaiting their admission results.

• Personal Touches: Each room will showcase decor that mirrors individual tastes, allowing the audience to get to know each character more deeply through their personal spaces.
• UM Merchandise: Incorporating UM-themed items on their desks and in their rooms underscores their strong desire to attend UM.
• Lighting: We can use lighting to subtly foreshadow outcomes. For example, Davis might be in a dimly lit room with a glow coming from a desk lamp, while Alessandra could be in a brightly lit room. This hints that Davis may not get in, while Alessandra will.

By being thoughtful about which props to use and where to place them, we aim to immerse the audience in the lives of our protagonists in subtle ways - all in two minutes or less.